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We design new experiences with technology through a multitude of disciplines, materials, and methods. Our work combines data with visualizations and sound, and explores new combinations of physical and digital materials, virtual and real worlds, to create novel design concepts and ways of interacting from a non-solutionist, explorative, multidisciplinary perspective. Conceptual work on underlying design theory underpins our creative engagements.

Theoretically we pull from a multitude of epistemic foundations. These foundations include feminist and critical theory, and research through design, as well as more conventional scientific practices for both qualitative and quantitative inquiry. An important focus of the group is using different theoretical foundations to contextualize and situate data, interaction, and technology in real-world settings as well as to understand our role as designers in their impacts. In particular, we draw from critical perspectives that center ethics, responsibilities, and inclusivity throughout our research practices.

Much of our research is motivated by collaborations with a range of partners. We have worked with organizations such as museums, research labs, science centers, non-profits, and industry partners. In these collaborations we employ a variety of participatory methods, including co-design, co-speculation, living labs, and creativity workshops.

For current information about the Visualization and Interaction Design unit, please refer to the .